Consequently, versions 15 and 16 have, at least across Youtube and the Blogospheres, seen people announcing their switch to Resolve in troves, either from Adobe Premiere or Final Cut (arguably not as much from Avid though). However most major versions of Resolve since version 14, seemingly building on the software’s almost unchallenged dominance in the color grading realm, have been trying to improve on DaVinci Resolve’s usefulness to editors, VFX artists and sound editors alike, brushing up on the editing side of things by adding loads of features already present in other NLEs and integrating Fairlight and Fusion into Resolve without any additional cost upgrading.

But it was only a few years ago that Blackmagic started taking into account the needs of smaller production houses and individual filmmakers or colorists which couldn’t afford the $30,000 Advanced Panel, as well as the rather large grading suite to put it in, by offering the Mini and Micro Panels. Image credit: cinema5Dīlackmagic has been offering their full-sized Advanced Panel for grading in DaVinci Resolve for years now and these have become standard inventory at grading houses all over the industry.

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